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To: alt.magick.tyagi,alt.sufism,alt.islam.sufi From: tyagi@houseofkaos.abyss.com (haramullah) Subject: Sufic/Islamic Symbolism Date: 27 May 1997 19:38:40 -0700 49970518 AA1 (one of my favorite subjects of exchange: symbolism) assalam alaykum, my kin. Angela: #...religious symbols. Can you tell me what do the moon and the star mean? it should be said that expression regarding symbolism is necessarily incomplete and subjectively-biased. beyond this, there are some very important popular and esoteric conceptualizations associated with symbols of many different types. the crescent is a symbol associated with Islam. typically in the West it is portrayed in a "waxing" orientation -- as moving toward greater light, fullness, toward the Full Moon. this is in the form of the letter 'C', '(', rather than as its reverse ')', and implies forward movement, healing, progress, growth and creation. Moon is often but not always considered a feminine symbol, sometimes (such as in alchemical iconography) combined with Sun to imply the Heiros Gamos or Mystical Union (for some sufis, with Allah). Muslim calendars are lunar, and Moon therefore has an additional meaning within such cultures as implying 'the number of years and the measure of time' (_Qur'an_), indicating a movement and growth in time as well as the cycles of life, growth and decay. in combination with this, the star symbolizes the penultimate or supremity of the divine, an extremity of light and perfection implying the infinities of the categories of Allah and the unbounded and supranormal experience of an encounter with this majesty. for this reason the two together, and especially when one understands that Sun is also a star, are beautiful symbols in association with Sufism, since they imply the goal that gnosis or heart-knowledge which only an Encounter with the Beloved may make possible. more below from previous posting. YahyaM@aol.com: #...as for [moon/star] being "symbols" of Islam, I doubt that. A symbol #is something that is like a door that opens up into a reality on a #higher plane. We can distinguish symbols from emblems. An emblem is #something that points to something else on the same plane.... #I am not aware of any such symbolic dimension for the crescent and star in #Islam. perhaps I have explained one or two? :> #IMHO they are an emblem.... certainly they *were* (and continue to be) emblems. whether this is all they are depends on the individual, it seems. #There is real symbolism in Islam. The Ka`bah is the supreme symbol of Islam #as a religion, a symbol that encapsulates all the doctrine of Islam. there is tremendous symbolism in Islam, agreed, though I would say that this symbolism is mostly popular and traditionally it is eshewed as iconographic or idolatrous, especially when in association with the mosque. exception to this appears to be certain Arabic writings, such as "Allah" or any of Allah's glorious titles/offices, sometimes inscribed in beautifully-complex and artistic fashion and hung on simple frames on the mosque wall. I have also seen intersecting squares on the *outside* of mosque architecture. in direct relation to this last (since the squares imply the perfection of the earth element, perhaps translated into the physical dimension as a cube), there is Allah's House, the sacred "Cube" (the apparent significance of the Arabic "Ka'aba"). centered in the area of First Pilgrimmage in Mecca within a glorious stadium, a great cube of perhaps 2-story height is draped in black cloths and surrounded by a glorious arena wherein pilgrims circumambulate and approach the black stone at its corner. that this is the location of focus for Muslim salat (prayer) and presents the faithful with the destination for the hajj (pilgrimmage, the Pillar to be undertaken at least once in the life of the devout) indicates its importance to Muslim tradition, symbolizing the Straight Path, the Sure Path of the Pilgrim, hosted by that site associated with the delineating Abrahamic succession: Mecca. that the focus is a large, black cube within a white circular construction implies ancient and central esoteric principles dear to Muslim tradition. primarily and perhaps most obviously the cube symbolizes stability, the perfect stasis of eternal primacy: the Creator, whose residence in the Ground of Being is changeless and reliable against all adversity. more than this abstraction, the cube indicates the importance of earth energies, the world, as the realm wherein the divine manifests most clearly and directly to the faithful. the circle surrounding the cube (and the ever-shifting sea of pilgrims, both revolving about it in a cosmic and spiritual parallel to the Pole Star, as well as pausing and paying tribute to this central and life-giving divinity at various key solar-referents) implies the beginning of that which is movement, the world, immanence, emanating from and returning to that perfect and changeless stability of the God (Al Lah). symbolizing the meeting-point betwixt these black and white, stationary and animated, cube and circle, is the Ka'abah Stone, a black rock set into a silver vesica piscis, which pilgrims traditionally approach and kiss. this is symbolic not only of an affirmation of the Source of All Things, but also the veneration of that intersection between the God and Humanity, the perfect Image in which likeness humans have been intended. Hafizullah@aol.com: #...as a /symbol/, a 'pointer' to a subtler reality, there is a way the #emblem of the star-and-crescent can be used in conjunction with the #dhikr, but I am not at liberty to disclose the technique. perhaps the symbolism relates to the relationship of LIGHT to both of these, the star a source and origin (Allah) for the light (love, consciousness, perfection, beauty, etc.) which reflects in remembrance (dhikr) beyond the Moon (the faithful) to all who have eyes to see. #...[from] the published writings of Pir-o-Murshid Inayat Khan: #+++++++++++++++++++++++++++++ # #THE SYMBOL OF THE SUFI ORDER # The symbol of the Order is a heart with wings.... oh yes I remember this well. we have had it posted here to Tariqas at least once before. I offer my previous commentary on it, for your consideration. compare how it relates to the above. haramullah ---------------------------------------------- ~From: tyagi@houseofkaos.abyss.com (Haramullah) To: tariqas@facteur.std.com ~Subject: Symbolism (Wing/Heart/Moon/Star) ~Date: Tue, 30 Jan 1996 10:02:22 -0800 (PST) 49960130 Peace be with you, my kin. Hazrat Inayat Khan was quoted by jmccaig@worldweb.net as saying: |...the heart is between soul and body, a medium between spirit and matter. This is very very wonderful! As I understand it in my ignorance, spirit and matter are twin visions of the Paradise in which we live (subjective and objective realms respectively). That the heart (qalb) lies *between* these and (as HIKhan later says) is responsive in an insightful way fits very nicely with what I have been taught about its function in coming to hear the guidance of Allah. |...as in Egyptian symbology wings are the symbol of spiritual progress, |so the heart with wings expresses that the heart reaches upward towards |heaven. I feel that the metaphorical use of 'up' and 'down' as indicative of heaven and earth is very important. And yet if we are not careful we may be misled by it. Wings allow one to *leave* the earth in flight, and yet they only allow us to fly to the uppermost reaches of our planet's atmosphere (where they may push against gasses and elevate us). However, they also allow us to *return* to earth, or fly *downwards*, and I do not personally feel that heaven is a place at the outermost extreme (even in analogy of this metaphor) of upward flight. I would suggest to you that a place *between* up and down is where heaven truly lies, and the only way to reach that spot is to somehow acquire wings and fly there, consistent with this symbolic teaching that HIKhan may be pointing out. |The crescent in the heart suggests the responsiveness of the heart. |The crescent represents the responsiveness of the crescent moon to the |light of the sun, for naturally it receives the light, which develops |it until it becomes the full moon. It was difficult to find a reproduction of this flying heart with crescent and star in the Haus library (though I did find it in 'The Sound' and I would mention that we do now have a very wonderful s/Sufism section which the public is welcome to use for research and an introduction to tasawwuf -- contact me if you live in the SFBay Area and wish to visit and/or use this to your advantage in learning of it). In any case, HIKhan's description as rendered here is quite beautiful, and I think one might also infer the common Western notions of the heart and crescent in terms of emotions (some Sufis apparently do this quite readily). Not only do the emotions lie between the conscious and subconscious mind (usually somatically restimulated ...in massage), but the crescent is typically associated with the feminine, though usually in left-or-right orientation (indicating waxing or waning as is applicable) which is also, in the West, associated with the feminine. That the crescent supports the star is perhaps of great importance in the examination of the relationships which exist amongst the heart which contains these and the star and crescent themselves. The crescent is, within the most common versions of this symbol I have seen (and it varies a little), in the shape of a cup, filled by the star of brilliance. The position of the crescent does not indicate to us whether it is of the waxing or waning variety therefore, though many teachers will no doubt favor the waxing- or light-orientation. The star rests atop this, slightly above the center of the heart which surrounds them. It is a five-pointed star in most renditions I've seen, and it is drawn as a foreground object rather than as a geometric pentagram. To me these represent the conscious and unconcious processes, and their containment within the spiritual growth that is made possible through love and the qalb, uniting these psycho-spiritual energies into a dynamic and potent force of gnosis and liberation. |The principal teaching of Sufism is that of learning to become a pupil, |for it is the pupil who has a chance of becoming a teacher, and once a |person considers that he is a teacher, his responsiveness is gone. I have not heard this said before. Usually I have heard that the principle teaching was knowledge of the heart, gnosis (ma'rifa). That said, Stoddart maintains that in comparing Christianity with Islam: As far as the spiritualities of the two religions is concerned, Christian mysticism tends by and large to be characterized by the 'Way of Love' (*mahabbah* in Islamic terminology), whereas Islamic mysticism (i.e. Sufism) comprises both the 'Way of Knowledge' (*ma'rifa*) and the 'Way of Love' (*mahabba*). (_Sufism_, William Stoddart, Paragon House, 1985, p. 48) ________________________________________________________ Perhaps HIKhan intends to convey both of these through an instruction in the tariqas (orders) as a part of what is called the Golden Chain (lineage succession from the prophets) and the value of community instruction. |...the crescent in the heart signifies that the heart which is |responsive to the light of God is illuminated. Note that the two closest bodies (sol, a star; and luna, a satellite) to our planet are here indicated, and between them we may locate our present state of the sufi (again the 'between' realm of the conscious- subconscious pair). |The five-pointed star represents the Divine Light. I have heard various attributions for five-pointed stars and have made a fairly broad study of its symbolic association in at least occult but in some cases religious traditions in the West. This one (divine light) is very common, especially among the luminaries (pun intended) of JCI (Judeo-Christian-Islamic) traditions. However, I have personally found value in associating the 5-pt star with 'Bios', life, perhaps related to the Egyptian notions of the ankh and its 'goingness' or 'vivacity'. |For when the light comes, it has five points; In reference to the Western '5 senses' or perhaps even the 5 Pillars? :> |when it returns, it has four, In reference to the coffin or perhaps to the Ka'ab, returning to the Source? |the former suggesting creation, the latter annihilation. If this is the case, then the symbol under discussion is only creation-based and therefore unbalanced in many ways (indicative of its movement, progression, escalation). |The five-pointed star also represents the natural figure of man, Yes, this is a popular occult tradition and is seen in the famous sketchings of Leonardo da Vinci. Typically it is ascribed a number of pentads, such as the Greek or Indian elements (earth/air/fire/water and Spirit or Space respectively). For more on the history and significance of the pentagram (which is somewhat different than the 5-point star I find in sSufi graphics), see the following file: ftp://ftp.hollyfeld.org/pub/Esoteric/Web/Amgkfaq/pentref |though that with four points represents all forms of the world. This conforms to my understanding of traditional symbolism, in that the quadalateral (square/rectangle/etc.) is typically associated with the material and earthly. This takes on very great meaning when we come to think of cubes (al Ka'aba), for example, or double-interlaced squares (as I have seen associated very often with Islam -- even as above the door of a mosque I have visited). |The heart which by its response has received the Divine Light is liberated, |as the wings show. In brief, the meaning of the symbol is that the heart |responsive to the Light of God is liberated." Very beautiful. Notice that angels are often depicted with wings of the type drawn attached to this heart of which HIKhan speaks. My favorite symbolism reference indicates: _Wings_ Wings are almost entirely exclusive to Western and Middle Eastern representations of divinities and supernatural beings. Wings are solar and depict divinity; spiritual nature; the moving, protective and all-pervading power of the deity; the power to transcend the mundane world; the never-weary; the ubiquitous; the air; wind; spontaneous movement; the flight of time; the flight of thought; volition; mind; freedom; victory; swiftness. Wings are attributes of swift messenger gods and denote the power of communications between gods and men. Out- spread wings are divine protection, or the shrouding of the heavens from the fierce heat of the sun.... (_An Illustrated Encyclopaedia of Traditional Symbols_, J.C. Cooper, Thames and Hudson, 1990, p. 193) _______________________________________________________ Note the additional solar reference here, supporting HIKhan's focus on illumination (especially in association with the heart, below). I also enjoy the connections to the Messenger and to the Protector (of the faithful? :>). _Heart_ The centre of being, both physical and spiritual; the divine presence at the centre. The heart represents the "central" wisdom of feeling as opposed to head-wisdom of reason; both are intelligence, but the heart is also compassion; understanding; the 'secret place'; love; charity; it contains the life-blood.... *Islamic*: The Centre of Being; the 'eye of the heart' is the spiritual centre; the absolute intellect; illumination. (Ibid, p. 82) _____________ I had not deeply contemplated the symbolism of heart-as-center before, though it makes a great deal of sense. The heart is very important to a number of Western religious traditions (recently I saw Catholic icons of Jesus and Mary pointing to their chests, where was to be seen a flaming heart, apparently symbolic of the centers of both the cosmos and the individual). This fits in nicely with some of Stoddart's text: ...the pilgrimmage (*hajj*) to the Ka'ba in Mecca is the outward symbol of the inward journey to the 'heart' (*qalb*), which is the seat of Intellect (*'aql*) and is the mysterious centre where the Divine Spirit (*ar-Ruh*) touches the human soul. (Stoddart, p. 63) _________________ But as to the rest of the symbol: _Crescent_ The crescent moon is, par excellence, the symbol of the Great Mother, the lunar Queen of Heaven, and is the attribute of all moon goddesses; it is the passive, feminine principle and is both the Mother and Celestial Virgin.... *Islamic*: The crescent with the star depicts divinity, sovereignty. *Sumerian*: Attribute of the moon god Sin. The emblem of Byzantium, Islam and the Turks. (Cooper, p. 44) _____________ I would also note that in Hindu tradition such a crescent apparently refers to the 'cup of immortality' and in Celtic tradition two crescents back to back also indicate immortality. Perhaps this is a subtle teaching referencing the soul and her immortal perfection (not sure if this is traditional Islam instruction). It appears to pair quite nicely with the star, below ("the undying"): _Star_ The presence of divinity; supremacy; the eternal; the undying; the highest attainment; an angelic messenger of a god; hope (as shining in darkness); the eyes of the night. Stars are attributes of all Queens of Heaven, who are often star-crowned. The star is pre-eminently the symbol of Ishtar or Venus, as morning and evening star. The pole star marks the pivotal point in the sky and is thus the Gate of Heaven at night.... The five- pointed star, upwards, is aspiration; light; the spiritual; education.... *Islamic*: Divinity; supremacy. The star is depicted with the crescent. (Ibid, p. 159) ______________ Note the commonalities amongst the symbols here in 'messenger' and 'eternality', as well as the potent symbolic feminine of moon and star together. The associations here with instruction and illumination support very well HIKhan's testimony on its meaning (esp. as regards 'aspiration' and 'education'). The focus on 'the spiritual' in both moon and star imply the result of the wings which bear them up in the container of the heart. As a final note I saw within my brief scan of the library archives a graphic of the heart containing a *6*-pointed star surmounting a crescent which joined its barbs at the top of the star inside it at a small circle. The wings curve upward to meet a *5*-pointed star outside and above the heart. I found this symbolism quite intriguing, though imagine variation is quite common. The symbol was in one of the periodicals I perused ('The Sound', based in San Rafael, CA, USA) and was part of a graphic inviting the reader to a celebration of the wedding night ("Shebi Arus") of Mevlana Jelaluddin Rumi (issue 124, December 1993, p. 11). The symbol also contains other graphics which I am hesitant to attempt to interpret. Within the 6-pointed star appears to be some form of character or linear symbol (like a elongated small Roman 'i'). Atop the heart rests what seems like a ball of yarn or string, and atop that is one of those cylindrical hats depicted as worn by many sufis (please forgive my ignorance of its name). The 5-pointed star at the top of the graphic is a great many Arabic letters, perhaps criss-crossed, fabricating the body (no outline to) the star. I'd love to hear more about these other symbols as well as your reflections on what I've dug up in association with what must be one of the more popular Sufi symbols. I leave you for the nonce with a bit of text which Allah was kind enough guide to my wandering eye concernin the heart: My heart has opened unto every form: it is a pasture for gazelles, a cloister for Christian monks, a temple for idols, the Ka'ba of the pilgrim, the tables of the Torah and the book of the Qur'an. I practice the religion of Love; in whatsoever directions its caravans advance, the religion of Love shall be my religion and faith. *Muliyi 'd-Din ibn 'Arabi* (Quoted in Stoddart, p. 82) ______________________________ Peace and love be upon you, my kin! Haramullah tyagi@houseofkaos.abyss.com EOF
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